Thursday, June 18, 2009

LAST POST!! SCENE ANALYSIS!!!!

Clip Starts at 6:34 and goes until 8:32




In Their Own World

When two people fall in love there is usually a certain connection between them that places them in their own world. In Pirates of the Caribbean: Curse of the Black Pearl this happens to the characters Will Turner and Elizabeth Swann. Before this particular scene takes place, Elizabeth has just received a dress from her father and is getting ready for Commodore Norrington’s promotion ceremony. Her father, Governor Swann, has just received news that he has a visitor downstairs: Will Turner. The director, Gore Verbinsky, uses close ups and low angle shots to the connection between Will and Elizabeth and uses long shots and the symbol of a sword to express Will’s displacement in his environment which sets up the characters for development in the rest of the film.
During the middle of the scene, after Elizabeth gets ready she walks down the stairs. Will and Governor Swann have just ended their conversation when they both look up to her. The shot is at a slight low angle showing that Will looks up to her. The fact that the angle is slight shows that he sees himself and Elizabeth on almost the same level however she is always a little higher up then him. After Elizabeth comes down the stairs she strikes up a conversation with Will. During their conversation there are only close up shots of Will and Elizabeth. No other characters are seen in their individual shots and their eye-line matches with each other. This sets them apart from their environment showing the connection that they have with each other. However, when Will says something that Elizabeth does not like, she backs off and the scene switches to a medium shot with Governor Swann and some servants in the background. The switch to a medium shot involving other characters shows that they have lost their connection with each other. This reveals that Will and Elizabeth’s relationship is still young and they are not yet permanently connected through a loving relationship. Towards the end of the scene, there is a close up of Will saying goodbye to Elizabeth quietly. Directly after this shot there is a close up of Elizabeth in her carriage looking back to Will. These close ups again show the connection that Will and Elizabeth share and puts them in their own world where only they know how they feel about each other. This undeveloped connection between the two characters gives them something to develop in the rest of the movie.
The establishing shot of the scene is a long shot of Will standing in the entrance hall of Governor Swann’s mansion. The openness of the hall and the use of the long shot makes Will seem smaller and more out of place. The establishing long shot lasts until a servant passes in front of Will and he straitens up and nods his head in a greeting manner. This reveals that although Will feels uncomfortable, he acts as if he is used to the wealthier environment showing his want to be part of it. Towards the end of the scene, as the carriage rolls away with Elizabeth and the Governor inside, the camera zooms out into a long shot of Will walking down the steps. The use of a long shot juxtaposes Will with the mansion and makes him seem smaller and more displaced. When the Governor comes down to meet Will, Will takes out the sword that he made for the Governor. Whenever Will is talking about the sword or handling it, he is in a medium shot, showing he is a more comfortable in his environment when he has the sword. The only long shots in this part of the scene are when Will is giving the sword to Governor Swann. This reveals the sword as a symbol of Will’s comfort. When he has the sword in his hands he feels more comfortable in his environment. When Will is giving the sword away to the Governor, he looses the that comfort that he once felt with the sword in his grasp. Will’s discomfort in his environment and his want to fit in in his environment gives his something to develop in the rest of the film. Also, when Will permanently gives away his sword, it is a symbol of him giving away his comfort forcing him to develop that comfort level on his own.
Gore Verbinsky intentionally uses close ups and low angle shots to show Will and Elizabeth’s connection and he uses long shots and a symbol of a sword to demonstrate Will’s discomfort in his environment. This sets up Will and Elizabeth’s characters for their development through the rest of the movie. In the end of the movie, Will and Elizabeth establish their permanent connection and Will becomes more comfortable in his environment. Will and Elizabeth both come out of their comfort areas and engage in an adventure that makes them the people they have always wanted to be.





(britni thanks mrs.wecker for being a really great teacher and would appreciate it if she gave her a good grade on this paper because she is barely holding on to an A and she would like to keep it) oh yeah and we took a class pic! :)

Tuesday, June 9, 2009

My Clip Starts at 6:50 and ends at 8:53


Thursday, June 4, 2009

Scene Analysis Proposal

Title: Pirates of the Caribbean: Curse of the Black Pearl

Location: 6:30 minutes into the movie

Legth: 2 minutes

Description:
Starts with long shot of Will Turner in the entrance hall of Govener Swan's mansion. Clock is ticking in the background. Will is holding a long parcel and is pacing then he looks at a candle holder on the wall. When he goes to touch it, he breaks it, he is surprised and looks for a place to hide it, then sticks the broken piece into a vase that is near him just as a servant with a tray is coming through the entrance from behind him. Will straitens up and nods at the servant in greeting as he passes by just as the Govener and his servant are walking downt the stairs. The governer greets Will. Will greets him back and sets the parcel on a nearby table and tells the governer "I have your order". Close up of the case opening and of the sword inside. Long shot of Will handing the sword over to Governer Swan. Governer Swan takes it, cut to medium shot of him inspecting the sword, cut to medium shot of Will telling the governer that there is gold in the handle, medium shot of the governer inspecting the handle of the sword. Long shot, Will asks for the sword, the governer hands it over. Medium shot of the Governer watching Will, cut to medium shot of will balancing the sword on his finger explaining how the sword is perfectly balanced. Still in medium shot when Will starts to toss the sword but cuts to a long shot of the sword spinning in the air as the Governer leans back and Will catches it. Will presents the sword to the governer again. The governer takes the sword and explains how the commodor will be happy with the sword as he is placing the sword back in its scabbard. Medium shot of Will taking the sword back from the governer, he is smiling, he places the sword back in the parcel. Medium shot of the governer asking Will to "Pass my compliments on to your master". Medium shot/reaction shot of Will seeming surprised and pleased and says that he will pass on the compliments and explains how "A crossman is always pleased to hear his work is appreciated". Will and the Governer turn their heads, footsteps are heard in the background. Long shot of Elizabeth coming down the stairs. She stops on one of the steps and looks down and notices Will and tells him "It's so good to see you". Close up/reaction shot of Will, smiling. Long shot of Will, the Governer and Elizabeth, Elizabeth tells Will that she had a dream about him last night. Will asks "about me?", the governer starts to say something around the likes of "Elizabeth is it entirely proper to you to..." but Elizabeth cuts him off and tells Will that the dream was about when the two of them met. Close up of Will, he says "How could I forget Miss Swan". Close up of Elizabeth, "How many times must I ask you to call me Elizabeth". Close up of Will, "At least once more Miss Swann, as always". Medium shot of Elizabeth and Governer Swan, he tells Elizabeth that at least will has a sense of propriety. The governer reaches accross, in front of Will and grabs the sword parcel off of the table, two servants are walking behind him towards the door. Close up of Will as the governer is in front of him taking the parcel, Will is watching him seeming nervous. Close up of Elizabeth, noticibly less happy, "Good day Mr.Tuner". Close up /Reaction shot of Will, seems surprised and dissapointed. Long shot, Elizabeth and the Governer and some sevants going out the door, Will still stands in the entry way, camera pans towards the door, Will turns towards door, servants go out the door with the sword parcel in their hand. Cut to long/low shot of the outside of the mansion, the governer and Elizabeth, followed by servants come out of the door way. Camera zooms (or a dolly shot is used) on Will who is also coming out of the door way but is towards the right as he says "Good day...". Zooms all the way up to a close up of Wills face as he says "Elizabeth". The doors are closing behind him. Medium shot of Elizabeth in a carriage looking over her shoulder at Will through the window as the carriage starts to move the camera tracks it and Elizabeth turns her head forward. Long shot of Will looking towards the carriage, slowly walking down the steps, the mansion doors are closed. Dolly shot backs the camera up and makes the shot even wider. Cut to long shot of the mansion gates, camera still zooming out as the horses pass the gate pulling the carriage behind them. Camera stops moving, low angle shot of the mansion ends the scene.

Friday, May 15, 2009

Antigone (Anouilh): Journal 4

Themes
  1. Accepting fate is the only way to truly be at peace with ones self.
  • Oedipus the King: In this play, Oedipus goes through it doubting himself and always needing to know more. Finally, when he learns the truth he accepts it, when he does he is willing to accept the punishment that comes with his actions. There are no more conflicting ideas or feelings, he knows he must leave Thebes and accept his fate and punishment giving him internal peace.
2. Fate is determined by emotions rather than actions.
  • Madea: All of Madea's actions are driven by her emotions. Because they are driven by emotions they are unstoppable. Emotions are passive, we don't mean for them to happen they just do. They tie directly into fate because they are implacable. Madea's emotions give her the motivation to kill her sons and the king and princess. She could not help herself because her emotions were so strong.

Thursday, May 14, 2009

Antigone (Anouilh): Journal 3

Repetition:

Yes and No

In Antigone and Creon's argument, they use the words yes and no alot. They refer to different things to the characters, Antigone; no because she refuses to be saved, Creon; yes, he chose to become kind even though he didn't really want it. Anouilh uses the repetition of yes and no and what the characters say about their decisions to show that there is always a choice in everything that we do and "yes and no" are equally hard answers to come to. Ex: it would have been hard for Creon to not accept the throne of Thebes, but it was also hard for him to do so.

Ambiguous Term

Love

The characters in Anouilh's "Antigone" love eachother in different ways. Ismene loves Antigone as a sister, the Nurse loves her as a daughter, and Haemon loves her as a lover and Antigone loves her brother and even Creon may love Antigone in a way. The different ways that Anouilh uses love shows that he believes that love or kind feelings are everywhere and not everyone is all bad. The soldiers even show some love towards eachother.

Wednesday, May 13, 2009

Greek Tragedy Skit

Play: Oedipus the King
Character: The Chorus

The Chorus is motivated by wanting to find out the truth about their leader. The Chorus represents the townspeople of Thebes, the citizens who love Oedipus because he saved them. But now that his honor and pride is challenged and he has no real answer, they begin to question Oedipus' story. "Oedipus-son, dear child, who bore you? Who of the nymphs who seem to live forever mated with Pan, the mountain-striding Father? Who was your mother?[...]" (1204-1208). The repetition of questions shows the chorus' curiosity in Oedipus' past. It also shows their desperation to find out the truth about Oedipus' past.

Tuesday, May 12, 2009

Antigone (Anouilh): Journal 2

Literary Devices

Imagery:
"Like one single pair of eyes, a thousand eyes will stare at us" (12). Ismene uses this imagery to try and evoke fear from Antigone. She is trying to persuade Antigone to change her mind and not try to bury their brother. Having a thousand eyes stare at you is intimidating and she is trying to frighten Antigone away from this idea of breaking the kings law.

Foreshadowing:
Page 15, when Antigone is telling the Nurse to treat her dog like she would treat it, "But if there was a reason why I couldn't go on talking to her-"(15). This shows that Antigone knows that something will happen to her and it foreshadows to the reader that something will happen in her plan to bury her brother and she will most likely die.

Simile:
"A little young for what, my kitten" (14). This simile that the Nurse uses for Antigone shows her motherly tendencies towards her. A kitten is something precious and sweet and this is how the Nurse feels about Antigone. Also she uses "my", showing that she feels that Antigone is her responsiblity which could set up something for her later in the story when Antigone dies.

Repetition:
"Stronger than a fever, stronger than any nightmare, stronger than the shadow of the cupboard that used to snarl at me and turn into a dragon on the bed room wall. Stronger than the thousand insects gnawing and nibling in the silence of the night.Stronger than the frightened me even when I couldn't them. Nanny, stronger than death" (14). The repetition of the word "stronger" conveys the stregth that Antigone feels that she needs. Her tone is somewhat panicky, she uses the word stronger as an attempt to strengthen herself for her coming task.